Neorealism — about honesty, without censorship

By Andriy Sheptunov • Featuring HolyKateryna
Neorealism — about honesty, without censorship
Today’s article is dedicated to the artist HolyKateryna. Born in Odessa, she currently lives and works in Barcelona. We define her style as Neorealism—an approach that returns art to its primary mission: the honest reflection of life. But before we introduce the artist, let’s revisit what Neorealism truly is.

Neorealism is not just an artistic movement; it is a challenge to its time. It emerged in Italy in the mid-1940s as a reaction to the devastation and crisis following the war. Artists and filmmakers no longer sought to create illusory worlds—they strove to show life as it actually was: unvarnished, harsh, and raw.

Classic examples of Italian cinema from that period include Roberto Rossellini’s "Rome, Open City" (1945) and Vittorio De Sica’s "Bicycle Thieves" (1948). These films were shot on the streets, featuring non-professional actors and simple dialogues—and it was this approach that made them profoundly truthful. Their protagonists were ordinary people whose lives had rarely been the focus of attention before. This was the source of their power.

Neorealism also found its expression in painting. Artists moved away from idealization, choosing instead to depict weary faces, working-class neighborhoods, and rural landscapes. The painting became a document of a moment rather than a mere decoration. Art transcended academic tradition, transforming into a testament to real human experience.

Today, looking at modern Ukraine, Neorealism resonates with particular intensity. In the context of war and social upheaval, honest art becomes a form of documentary memory and a dialogue with society. It is a tradition that reminds us: the true value of art lies in the courage to look the truth in the eye.
Self-presentation of HolyKateryna
"I am originally from Odessa, a blooming and wonderfully peaceful city in southern Ukraine.
Since childhood, I have dreamed of becoming the color of red paint. The universe has granted me the opportunity to reveal the hidden sides of a fantastic life on canvas.

I see myself as a documentarian of my own imaginary reality. My works foresee the future and tell the stories of characters born within my inner worlds.

I blur the boundaries between genres and states of being, embracing chaos and welcoming the strange.
For me, art is a portal from which the viewer emerges transformed."
1. How did it all begin?
World creation, 99*50, Полотно, олія, 2024
World creation, 99*50, Полотно, олія, 2024
2. How has the war affected your perception and creativity?
Колаж, 2022
Колаж, 2022
А3 paper ballpoint pen
А3 paper ballpoint pen
3. What role does religion play in your life and work?
«Єдність протилежностей», 32*41, олія на полотні, 2025
«Єдність протилежностей», 32*41, олія на полотні, 2025
4. How do you perceive the people around you?
Спокійний як земля, 21*36, олія на полотні, 2025
Спокійний як земля, 21*36, олія на полотні, 2025
5. What do Odessa and Ukraine mean to you? How is your homeland reflected in your work?
Одеська мрія, 60*60, олія на полотні, 2022.03
Одеська мрія, 60*60, олія на полотні, 2022.03
6. Eroticism often appears in your works. What does this concept mean to you?
Жозефіна, 72*54, олія на полотні, 2025
Жозефіна, 72*54, олія на полотні, 2025
«Цвітіння», 190*180, олія на полотні
«Цвітіння», 190*180, олія на полотні
7. How do you experience ecstasy and what causes it?
«Гармонія», 100*70, олія на дереві, 2023
«Гармонія», 100*70, олія на дереві, 2023
8. How do you understand contemporary art?
Французький Ерос, колаж
Французький Ерос, колаж
9. How do you perceive yourself in time?
«Лялька», А4, олія на папері, 2023
«Лялька», А4, олія на папері, 2023